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उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Wednesday, February 19, 2014

Saundarya Sthir aur Gatyatmak or Kinesthetic Imagery in Garhwali Folk Drama

गढ़वाली  लोक नृत्य-गीतों  , लोक नाटकों  सौंदर्य स्थिर और  गत्यात्मक मानवीय  बिम्ब

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -95  

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)
          The following example of kinesthetic imagery in Garhwali folk drama (song) is very good examples of poetic value in Garhwali folk songs. The creator of the following song shows feeling, movement, and beauty with perfection.
गढ़वाली  लोक नृत्य-गीतों लोक नाटकों में सौंदर्य स्थिर और  गत्यात्मक मानवीय बिम्ब का उदाहरण

मसुराली आंखी चलौन्दी मेरी दौंता कथैं गै?
दाथुड़ी का छुंणका बजौन्दी  गौं का ऊथैं गै 
दौंता की आंख्युं मा क्या जादू भर्युं 
कनी टमकौंदी आंखी नजरूं कु मौक़ा जथैं रै
दौंता की कमरी जनी कुमाळी सी ठाण
जैक जाली दौंता वैन सट सूखी जाण
दौंता की मुखड़ी मा जनि तसवीर टंगी 
दौंता की मायान सारी दुनिया रंगीं 
सुकली दांतड्यूं को भलो निकसाट बतौँदे
दौंता खड़ी हून्दी जनि धार मा सी गैणी
पाळीङ्ग की सी डाळी हलै जांदी बथौं लै  

Copyright@ Bhishma Kukreti 5 /2/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri
 Xx
Kinesthetic Imagery/Images  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Kinesthetic Imagery/Images  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Kinesthetic Imagery/Images in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;  KinestheticImagery/Images  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; KinestheticImagery/  Images in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Kinesthetic Imagery/Images in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Kinesthetic Imagery/Images   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Kinesthetic Imagery/ Images in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में सौंदर्य स्थिर और  गत्यात्मक  मानवीय  बिम्ब ,  टिहरीगढ़वाल के गढवाली लोक नाटकों में सौंदर्य स्थिर और  गत्यात्मक  मानवीय  बिम्ब;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में सौंदर्य स्थिर और  गत्यात्मक मानवीय  बिम्बहरिद्वार गढ़वाल के गढवाली लोक नाटकों में  सौंदर्य स्थिर और गत्यात्मक  मानवीय  बिम्ब ;देहरादून गढ़वाल के गढवाली लोक नाटकों में  सौंदर्य स्थिर और  गत्यात्मक  मानवीय  बिम्ब ;पौड़ी गढ़वाल के गढवाली लोक नाटकों में सौंदर्य स्थिर और  गत्यात्मक  मानवीय  बिम्ब ;चमोली गढ़वाल के गढवाली लोकनाटकों में सौंदर्य स्थिर और  गत्यात्मक  मानवीय  बिम्बरुद्रप्रयाग गढ़वाल केगढवाली लोक नाटकों में  सौंदर्य स्थिर और  गत्यात्मक  मानवीय  बिम्ब ;

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