Punaruktiprakash Alankar or Epistrophe Figure of Speech in Garhwali Drama

गढ़वाली  लोक नृत्य-गीतों  , लोक नाटकों  में पुनरुक्तिप्रकाश अलंकार  

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -87 

                                    Bhishma Kukreti (लोक साहित्य शोधार्थी)

                When a word is repeated at the identical time, it is Punarukti Prakash Alankar. As in following folk song म word is repeated at identical time and place.

गढ़वाली  लोक नृत्य-गीतों , लोक नाटकों में पुनरुक्तिप्रकाशअलंकार का उदाहरण

माटो पड़े कमकम ढुंगा , पड्या दम दम

पाड़ मा मोटर चले थ-रा-रा पम पम

Copyright@ Bhishma Kukreti 26 /1/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri

Punaruktiprakash Alankar or Epistrophe Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Punaruktiprakash Alankar or Epistrophe Figure of Speeches     in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Punaruktiprakash Alankar or Epistrophe Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Punaruktiprakash Alankar or Epistrophe Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Punaruktiprakash Alankar or Epistrophe Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Punaruktiprakash Alankar or Epistrophe Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Punaruktiprakash Alankar or Epistrophe Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Punaruktiprakash Alankar or Epistrophe Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार,  टिहरी गढ़वाल केगढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार ;उत्तरकाशी गढ़वाल केगढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार, हरिद्वार गढ़वाल केगढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार ;देहरादून गढ़वाल केगढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार ;पौड़ी गढ़वाल केगढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार ;चमोली गढ़वाल केगढवाली लोक नाटकों में  पुनरुक्तिप्रकाश अलंकार; रुद्रप्रयाग गढ़वाल केगढवाली लोक नाटकों में   पुनरुक्तिप्रकाश अलंकार ;