Antyanupras or Consonance Alliteration Figure of Speech in Garhwali Folk Drama

गढ़वाली  लोक नृत्य-गीतों  , लोक नाटकों  में अंत्यानुप्रासअलंकार  

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -86 

                                    Bhishma Kukreti (लोक साहित्य शोधार्थी)

                 When in nay poetry the consonant at the end of poetry line is repeated it is called Consonance Alliteration Figure of Speech. Following is an example of Consonance Alliteration Figure of Speech in Garhwali Drama

गढ़वाली  लोक नृत्य-गीतों , लोक नाटकों में अंत्यानुप्रास अलंकार काउदाहरण

 लाल बणी होलि ब्वै , काफळ की डाळी

लोग खांदा होला ब्वै , लूण राळि राळी

xxx  

तू होली बीरा ऊँची निसि डांड्यु माँ  , घस्यार्युं भेष माँ

खुद मा तेरी सड़क्यूं माँ मि रूणु छौं परदेस माँ

(Song by: Jeet Singh Negi)

Copyright@ Bhishma Kukreti 24 /1/2014

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri

 Xx

Antyanupras  or Consonance Alliteration Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Antyanupras or Consonance Alliteration Figure of Speeches     in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Antyanupras  or Consonance AlliterationFigure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Antyanupras  or Consonance Alliteration Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Antyanupras  or Consonance Alliteration Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Antyanupras  or Consonance Alliteration Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Antyanupras  or Consonance Alliteration Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Antyanupras  or Consonance Alliteration Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में  अंत्यानुप्रास अलंकार,  टिहरी गढ़वाल के गढवालीलोक नाटकों में  अंत्यानुप्रास अलंकार ;उत्तरकाशी गढ़वाल के गढवाली लोकनाटकों में  अंत्यानुप्रास अलंकार, हरिद्वार गढ़वाल के गढवाली लोक नाटकोंमें  अंत्यानुप्रास अलंकार ;देहरादून गढ़वाल के गढवाली लोक नाटकों में अंत्यानुप्रास अलंकार ;पौड़ी गढ़वाल के गढवाली लोक नाटकों में अंत्यानुप्रास अलंकार ;चमोली गढ़वाल के गढवाली लोक नाटकों में अंत्यानुप्रास अलंकार; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में   अंत्यानुप्रास अलंकार ;