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उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Wednesday, August 28, 2013

Fundyanath 420: One of the Great Satirical Poems of 21st Century of Poetry world

Bhishma Kukreti

              A literature critic cicely A Richard rightly states that satire is a competent writing skill for exposing faults found in society and creative use humor as mirror to show the world their true face.
                  Famous poet G.G.L. Byron used satirical poems effectively for public to look at objectively at politics and politicians. However, Harish Juyal went ahead in using satirical words harsher than words used in poem ‘Don Juan’ by George G.L. Byron.
             Fundyanath -420 poem by  Harish is as critical against leadership as the poem ‘Re-Conferences’ by famous Russian poet Vladimir Mayakovski against bureaucracy at the time of Lenin in Russia.
                Polish poet Antony Slonimski was also famous for criticizing harshly the leadership through satirical poems.   
             A Zimbabwe’s famous poet Chirikure Chirikure is famous for blending humor and anger, Harish uses humor and anger in his Fundyanath 420 poem.
               The talent of Harish Juyal about humor, irony and political satire could be compared the raptures and emotions found in the stories of famous Nigerian creative Chinua Achebe.
         Nobel Prize winner literature creative and Nigerian valiant writer Wole Soyinka states that the promise of pen belongs to take bulls by horns. Fundyanath a satirical and humorous poem  by Harish Juyal fulfils the statement by great creative Wole Soyinka.
Style of poem: The style is different and is mixture of Hindi and Garhwali. This style is not new for Garhwali in our folk poetry. Rakhwalee is performed in the same manner i.e. mixture of Hindi and Garhwali

Phrases create Perfect and desired images: the specialty of the poet is that he uses local phrases for creating images of unthinkable leaders and their leadership of political arena and social field. 

                फुंड़यानाथ 420

कवि : हरीश जुयाल 'कुटज'

 नमो गुरु को आदेशा
माता पिता को जुहारा
मिस्टर फुंड़यानाथ कू नमस्कार
पीले हाथ में एक्सपाईर्ड जूता लाऊं
फिर फुंड़यानाथ का इंट्रोड्क्सन इन्त्रोद्क्सन कराऊं
तू रै बाबा दुमुख्या गुरो
मुख मौल़ी पुछ्ड़ी बिसैली
गौन्छी को कीस छे
जौ कु झीस छे
चार सौ बीस छे
समाज कु खाज छे
ऑलरेडी बदमिजाज छे
तीन समाज को आपस में लड़ायो
पुब्लिक मा कच्यूळ करायो
अपणे आप छांटो हो जायो
गौं कु गलादार छे
ड़्यार कु फौंज्दार छे
मतलब से बोल्दू
मतलब से बच्यान्दू
तेरु रे फुंड़यानाथ
क्या -क्या खाणु
क्या क्या ल्ह़ाणु
खांदी रे घपरोळ का गुरमुल़ा
ल्ह़ाणु रे क्रिटिसाईंज कु कुर्ता
आंख्युं माँ सोर्स का चश्मा चम्कान्दी
कपल मा कूटनीती को तेल ,
जिकुड़ी मा जहर का ग्व़ाळआ
नजर माँ पालिटिक्स का फ़्वाळआ
रे बाबा--
क्या -क्या बूतदी
क्या क्या काटदी
तू ---
बुतदी रे जातिवाद का बीजक्षेत्रवाद का म्याला
कटदी रे स्वार्थ की फसल
मन्ख्यात से तुझे खाजी हो जावै
गुंडों के फेस पे बोरोलीन लगावै
गरीबों को धमकाये , टुच्चों को चमकाए
फर्जी रिस्पेक्टेड छे बाबा
गढ़वाळ घाट को डौंडिया छे
कुमाओं घाट कु चौंडिया छे
पब्लिक तोड़ा , पब्लिक मोड़ा नरसिंघ छे
बोकसड़ी जाप कु मान जै
कांवर की विद्या कु मान जै
कुटज की भगती कु मान जै
चल - चल रे मेरे औफर पे चल
लाइन हाजिर हो जा
समाज का पिण्डा प्राणी को छोड़
पब्लिक को लड़ाना छोड़
जातिवाद करना छोड़
फ़ौरन कुकर सोसैटी मा जा
मेरे हुकम पे नी चली तो
तुझे संगाट प्याट के बिच्छी तडकाये
भैस्या मकडा तेरे फेस पे मूते
तुझे जूंक की हड्डी से मारूं
गंडेळ की सींग से मारूं
किदली की बैकबोन से मारूं
मछर की सीधी टांग से मारूं
करगंड में अक्सन का जुटा मारूं
बर्मंड में लखानी का चप्पल चलाऊँ
लगाऊँ दस गिनुं एक पडम पडम पडम
 नमो गुरु का आदेशो



Copyright@ Bhishm Kukreti

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